AC Lighting has also recently acquired the ProLights line, making this Italian based line available in the US. A few highlights from this line include the JETSPOT3, the PIXIEWASH and the PIXIESPOT.
The JETSPOT3 is a High Output 240W LED Spot. It boasts a fixed 20-degree beam angle and a 7000k White LED source. Complete with 2 color wheels, a rotating and static gobo wheel, prism, linear frost, iris, focus and onboard RDM and DMX, it’s sure to be a contender in the US market.
In terms of fixtures and on a smaller scale, there is the PIXIE SPOT and PIXIEWASH. The PIXIESPOT is equipped with a 60W RGBW/FC LED light source. It also offers wireless control through a USB Wi-Fi receiver in combination with Wifibox and the smartphone App SmartColor. With a single gobo wheel with 7 rotating gobos and an effect section equipped with 3f circular prism, this is ideal for a variety of venues.
The PIXIEWASH is a compact LED wash beam with a 6 – 45 degree zoom. With its single 60W LED and it’s small form factor and near silent cooling, it is ideal for low ceiling or noise-sensitive environments.
Chroma-Q’s hot new product is the new Inspire XT RGBW House Light.
Delivering up to 9500 lumens and including all of the features of the Inspire and Inspire Mini with twice the output, it is ideal for situations that require the same high quality white and colored lighting with even more output. In addition, it uses some of the innovative core technologies found in other award-winning Chroma-Q products. With fully homogenized color mixing and choice of three different beam spreads (32, 42, and 65), the Inspire XT provides an excellent selection of stunning mixed colors and true whites. It also features energy-efficient LEDs and onboard DMX with theatrical grade dimming.
TAG: LED Lighting
AC Lighting has also recently acquired the ProLights line, making this Italian based line available in the US. A few highlights from this line include the JETSPOT3, the PIXIEWASH and the PIXIESPOT.
First up for ADJ is their new video panel option called the Design Series. It is a series of different geometrical video panel options. The DS4 (square), DS4T (triangle), DS4QC (quarter circle) and DS4HC (rectangle) can be easily linked together, rigged and transported. They offer a 4.8mm (0.19”) pixel pitch and brightness of 1200 NITS as well as a wide viewing angle of 160-degrees (horizontal) and 120-degrees (vertical), making them ideal for a wide variety of applications.
Next up we have the MOD Series as ADJ’s latest range of professional LED Pars. Their modular design means that the LEDs can slide back into the casing to create a snoot that eliminates side glare. There is an optional pearl white housing kit also available. This means that LED Par owners can switch between black or white fixtures, depending on the application, without having to hold inventory of two different types of fixture. Offering a beam angle of 17-degrees, each Par is also supplied with a set of three Frost Filters which can be locked into position in front of the LEDs to widen the beam to an angle of 20-degrees, 40-degrees or 60-degrees. The units come in 4 flavors:
- MOD QW100 (7 x 15W RGBW LEDs)
- MOD QA60 (4 x 15W RGBA LEDs)
- MOD HEX100 (7 x 15W RGBWA+UV LEDs)
- MOD TW100 (7 x 15W CW/WW/WW/Amber 4-IN-1 variable color temperature white LEDs)
Lastly, there was quite a buzz with their new Vizi CMY300 Moving Head. It is a 300W LED engine ideal for larger venues. It works as a beam, spot and wash fixture with a zoom range from 8 to 46 degrees. A large palette of colors is possible thanks to CMY mixing, as well as two GOBO wheels, two rotating prisms, motorized focus and motorized zoom. It is also built to make GOBO changes, servicing and on-the-road repairs extremely easy.
In additionto the traditional line of steel and glass patterns, Apollo introduced three new Outdoor LED fixtures this year.
The Outdoor LED Profile Fixture. These fixtures are IP65 rated and available either at 75W with 2800 lumens or at 30W with 1000 lumens. The color temperature is a choice between 6500K or 5500K. The standard lens option is 27.5*, but you do have the option to easily swap out the lens for a 16*, 20*, 38.5* or 50* by removing two set screws a the front of the lens . It is low profile at 13.4’’L X 9.8”H X 5.5”W and light weight at 3.5lbs. The finish options are white or black.
The AVERE 5UV is a 65W black light with an output of 15000mW, dimmable to 0% with ELV Dimmers. The lens options available are 15*, 23* and 36*. This fixture is also viable in Cool White and Warm White 98CRI, 385nM
The AVERE 3UV is a IP68 outdoor rated fixture suitable for mounting below ground and an optional stainless steel fixture suitable for use in chlorine environments. This fixture is 10-15W, 24V with an external power source and DMX controllable.
The beam options are 15*, 23* and 36*. Color options include 385NM; White: 3000K, 4000K, 5000K; and RGBW. Custom RAL Colors and housing design is available. There will be a larger version available in Mid-January.
Apollo also has a line of tools tomake life easier for entertainment technicians.
Aria is Blizzard’s new Ellipsoidal with 180w COB, RGBW, and 200w, 3200K, with a 90 CRI. The body and lens tubes are made out of a composite plastic, making the fixture lightweight. Available in 19°, 26°, 36°, and 50°, the lens tubes are also sold separately to be able to create whatever mixture of degrees you wish. The fixture body is also compatible with ETC S4 Lens Tubes. There is an LCD control panel on the back of the fixture for set up. Power in and out is powerCon and DMX in and out is via 3 pinXLR.
Hypno Beam is a relatively new moving head for Blizzard. I sports a 1x60x RGBW 8° LED as the main source and two rings of 60 RGB SMD5050 LEDs. There is individual control of each ring and the Beam source for a myriad of possibilities for effects. There are dozens of built-in effects to get you started. There is also built in auto/sound active programs. Power is supplied in and out via powerCon connectors, while DMX uses 3pin XLR.
Hypno Spot is also relatively new using a 30w white LED, creating a 4.7° spot. There is a 9 color + open color wheel for coloring your effect, and a gobo wheel with 9 gobos + open. It also has two effects rings of 76 RGB SMD5050 LEDs. The main source and the effects rings are controlled separately giving you the maximum control for your effects. Both of there Hypno fixture had a Pan of 540/630° and a tilt of 200°.
Wink is Blizzard’s new Moving Head Beam FX fixture. Sporting a 60w RGBW LED with a 5-45° motorized zoom and a ring of 4 RGB5050 LED segments with pixel control. This incredibly fast has an infinite pan and tilt making it fun to watch it spin around. There are dozens of built-in macros. Power in and out is via powerCon and DMX is 3pin XLR.
IRIS by Blizzard is Blizzards new Video panel. ETL listed the IRIS R3 is appropriate for indoor use only, permanent or rental. Each panel features a 128x128 resolution with a 3-in-1 SMD2121 blackbody for vivid color. There is a 3.9mm pixel pitch with 1200nits of brightness and 1920HZ refresh rate. Power in and out is via powerCon and data via Ethercon.
The panes connect via IRIS’s sophisticated quick lock system, allowing for a curvature of 10° concave and 5° convex maximum. The video panels work with the Novastar®VX4S professional LED display controller, making an external scaler unneeded. Each 250mmx250xx panel weighs less than 17lbs.
As always, Blizzard Lighting was keeping things “cool” for their LDI 2016 presentation joining forces once again with the folks from ModTruss to create a truly unique experience! A life-size, working replica of the classic “Rock’ Em, Sock’ Em” Robots was the perfect centerpiece to showcase some creative new products from Blizzard Lighting.
A new product line called Oberon was launched adding Fresnels and Profile fixtures including a 200w, High CRI LED with Motorized Zoom fixture perfect for studio and theatrical applications. A number of new additions to their moving head family were introduced like the 3-in-1 Beam/Spot/Wash 350w CMY Kryo.Mix fixture and Stiletto Beast LED Beam/Wash. New LED solutions were added to their catalog of fixtures like the interlocking dual LED Beam Fixture with Aura Effects called Look and ProPar 17 LED Wash/Beam. Blizzard Lighting also introduced their DMX Measurement Tool called Buddha with its versatile functions and user-friendly 6-button + full-color TFT touch screen display, Buddha is fully equipped to measure, test, and troubleshoot any application with DMX controlled lighting.
Blizzard Lighting also introduced their DMX Measurement Tool called Buddha with its versatile functions and user-friendly 6-button + full-color TFT touch screen display, Buddha is fully equipped to measure, test, and troubleshoot any application with DMX-controlled lighting.
Blizzard Lighting brought it like a blast of cold from the north this year partnering with fellow Wisconsin company ModTruss to create a booth they actually drove in on a trailer made of the same truss.
New at LDI was the RokBox™ EXA LED par with a cast-aluminum housing that’s approximately 9" square and comes with 18 15W Tianxin RGBAW+ ultraviolet 6-in-1 LEDs. With an output up to 28,000 Lux at 1m, drawing just under 150 watts of power, and it’s capable of achieving any mixed color, natural looking white color temperatures, and 395-400nm ultraviolet light output. It features a flicker-free constant-current driver and five separate user-selectable 32-bit dimming curves. The unit can be controlled via DMX using 3, 6, 8, 10, or 11 channels of DMX, and it comes with dual-hanging brackets with locking knobs for mounting, plus industry-standard powerCON compatible power and three-pin DMX input/output connections.
ModTruss is a universal building component whose limits are as boundless as your imagination. With its lightweight aluminum construction and its repetitious hole pattern, ModTruss is ideal for use in most any industry. ModTruss product line lends itself to thousands of accessories to create endless configurations. This rental- based product makes ideas that once took extensive custom fabrication and now allows construction to be as easy of using a simple child’s toy.
Over on Chauvet's DJ side they were showing the new Eve units that include the 130W tri-colorEve P-130, the 140W variable whiteEve P-140and the 150W ultravioletEve P-150 UV. The three new Eve units have a bright, flicker-free output that makes them well-suited for events of all sizes. All the fixtures are fan free and silent for use in video recording applications.
The Eve series features an interchangeable 25° and 45° magnetic lenses making it easy to change beam angles. The fixtures also have a gel frame holder and 6 ¼ – inch accessory slot for optional barn doors. Adding to their flexibility, the new fixtures offer D-Fi USB compatibility, PowerCON-compatible power linking capabilities, and both 3-pin and 5-pin DMX connections.
There were also two new atmospheric effects, one called theCumuluswhich uses an ultrasonic agitator and water to create a low lying “dancing on the clouds” effect without the need for dry ice. Joining theCumulusis theHurricane 2000, a high-volume fog machine that produces a thick plume on demand because of its Always-Ready technology that provides a continuous output, and its built-in timer provides hands-free, automated operation. An advanced fluid sensor with automatic shut-off prevents overheating, and the variable output can be controlled from the on-board LCD display or DMX.
Chauvet's presence at LDI continues to grow with their line of fixtures for both touring and theatrical applications. The Ovation series has been overhauled a bit and there was some excitement regarding their new features on the Ellipsoidal and Fresnel fixtures.
The Ellipsoidals (Ovation- E*****) now have 3 LED versions (260WW, 260CW, and 260 WWIP) that all have a 230 W output that claim to exceed the output of a 750W tungsten source. They are all single source LEDs. They come in Warm White, Cool White and Warm White IP 65 rated.
There was also their newOvation E-930VWis a high-performance, variable white ellipsoidal style fixture that utilizes a unique 6-color LED system. This fixture projects a bright, beautifully flat field of light in nearly any temperature of white with high CRI and CQS. Each color temperature can be further adjusted for +/- green to perfect the field of light. For times when a splash of color is needed, the fixture can also give you full control of each color of LED as well.
In theirFresnel line, the big news was the Ovation F-915WW. It is a single source, Warm White LED with an output of 230W that is supposed compete with a standard 2K Fresnel’s output. It does have a motorized zoom of 27 to 68 degrees. They also have the multi-source/color LED options with a virtual color wheel that matches popular gel options. (RGBA+Lime)
The last bit of excitement regarding new fixtures would be the Ovation SP-300CW LED follow spot. It is a single source 260W LED that is quiet, and has all the standard options that you would find on a traditional follow spot. I was also told that this would work well up to a 100ft throw distance. The price point is also quite favorable when compared to its competition.
On Chauvet's video wall side, there were two new video panels at LDI: TheF4IPandF3. A high-performance outdoor-rated panel with brilliant SMD, a pixel pitch of 4.8 mm, a refresh rate of 3,840Hz, and high contrast 5,500 NITS, the VIPF4IPdisplays clear crisp images even in broad daylight, making it well-suited for festival applications. The user-friendly IP65-rated panel features magnetic LED modules for quick and easy installation and maintenance.
TheF3is a 3.9 mm pitch 1 m x 0.5 m LED video panel is equally suited for installations and rentals. Running on the Novastar control protocol, it also features magnetic LED modules that make it easy to install and service. The panels may be mounted directly on a flat wall, thanks to their front-service option.
In moving lights the newMaverick MK Pyxis featured a unique design that includes an outer ring of RGBW LEDs, a powerful zooming center pixel, 360° continuous pan and tilt movement and a host of other performance features, the new fixture produces an seemingly endless array of looks and can fill a variety of roles from beam, to wash, to set piece effect. A built-in virtual gobo wheel with background colors can be used to make the outer ring appear as if it’s spinning. With a combined center pixel and outer ring illuminance of 27,560 lux at 5 meters, the fixture has the output needed for arena applications.
Also in the Maverick series is the newMaverick MK2 Profile, the first profile light in the Maverick series. A 440W LED fixture with a high (90+) CRI, the newest member of the Maverick series has been designed to perform a wide variety of functions in theatrical, house of worship, touring, and event applications. With an illuminance of up to 14,981 lux at five meters and a zoom angle of 14° to 36°, the new fixture has the output needed for large venues and the ability to produce a range of beam sizes. For applications when less output is needed, the fixture has a low-volume “Eco Mode.”
For wash applications there is the Maverick MK3 Washraises the bar on output, color consistency, and pixel effects. Powered by 27 (40 W) Osram RGBW LEDs, it has the muscle to handle any application, including long throw situations with ease. Pixel mapping effects, built-in color macros and gobos, along with a CTO color mixing option make this powerhouse fixture the complete wash package. Control options includeDMX, sACN, Art-Net, Kling-Net or W-DMX.
Cineo has added yet another powerful creative tool to the lighting professional’s arsenal – theStandard 410. Combining their award-winning white-light quality with innovative saturated-color technology, theStandard 410 delivers up to 25,000 lumens of beautiful, easily controllable, full-gamut light.
Boasting a substantial 2’ x 1’ diffused illuminating surface, theStandard 410is perfectly sized for use in the studio or out in the field. With a maximum power of 410 watts and weighing in at less than 27 lbs., this fixture offers a unique combination of convenience and capability.
Creating beautiful light within an extended color gamut is only part of the story. Cineo has developed an intuitive control strategy that allows predictable, repeatable results, either using the graphical control panel or remotely with wired or built-in wireless CRMX control.
The strategy is simple – four controls or four DMX channels control the entire fixture in a single mode of operation:
Dim –Cineo’s Photo-Accurate Dimming™ maps the 0-100% dimming curve to actual camera stops for precise output control using the MASTER control locally or on the first DMX channel.
CCT –For color-accurate white light, choose the CCT as you would with any Cineo fixture, using the CCT rotary control or the second DMX channel.
Saturationcontrols the amount of saturated color to be added to the white light, from full white to fully saturated color, managed on the third DMX channel.
Hue –To optionally add saturated color, the HUE control adjusts the hue, the color of which is displayed on the control panel, or managed on the fourth DMX channel.
WithStandard 410, the same color shading can be achieved regardless of the CCT used for photography. For example, +2 Green added to 3200K CCT will look the same as +2 Green at 5600K to the correctly white-balanced camera.
In addition to our proprietary phosphor-converted white light LEDs, we developed phosphor-converted saturated color LEDs. These work with the phosphor recipes in the white LEDs to create a balanced, natural-looking spectrum featuring Cineo’s deep-red color rendering technology. The saturated color LEDs use the exact same dies as the white LEDs, so all light emitting elements of the Standard 410 carry identical thermal stability, and perform over time with identical differential aging. So after years of service, color stability remains consistent.
This year Coemar debuted their new 6-color LEDko engine: Red, Green, Blue, White (5600K), Lime & Phosphor Corrected Amber. Thegoal in mind is an all-in-one fixture for Studio & Theatrical applications - a fixture capable of intensely saturated colors without sacrificing the punch of the whites. The purpose of the Lime and PC Amber is to help flesh out the Red, Green and Yellow spectrum as well as producing high CRI's above 94 throughout the range of whites. Depending on the mode it's used in, the new LEDko FS6 can be used as a color changing, variable white (2700K - 6500K) or an all-in-one fixture!
Also new to the product line are an LED Spot and Fresnel moving head. The LEDko TM FS6 uses the same 6-color engine as in the LEDko F6 in addition to the characteristics expected in an intelligent profile: Zoom (13-38 degrees), Internal Framing Shutters, Iris, Frost Filter, Pan & Tilt. The LEDko TM Fresnel is available in either Tunable Tungsten (2700K - 4100K) or Tunable Daylight (4100K - 6500K), both of which include RGBW LED chips, Green/Magenta manipulation, Proportional Zoom (13-65 degrees), Internal Barndoor Framing System, Pan & Tilt. These will begin shipping in Q1 2018.
Coemar had several products come out more suited to the architectural markets, including the Pixel LED, ParLite ACL and LEDko EXT II. The idea behind the Pixel Light is a RGBW IP65 rated fixture that can be quickly assembled through either magnetic or mechanical connection to form any kind of composition. Think legos with lights! The ParLite ACL is a very punchy parlite with a 3 degree narrow beam for uplighting from a distance. The LEDko EXT is a completely IP65 rated LED profile with 13-40 degree zoom, gobo holder and internal shutters, available in RGBW, Daylight or Tungsten.
Last but not least, Coemar came out with an economical solution for upgrading tungsten fresnels to LED while preserving your existing dimming system. Coemar's 1K retrofit is available in Tungsten or Daylight with CRIs above 90 and flicker-free dimming from 100-10%. Though only available in a 1K engine with an optional G38 adapter for use in 2K, Coemar plans to introduce a 650w engine by the end of the year and a true 2K retrofit sometime in 2018.