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TAG: LED Lighting


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DeSisti

At LDI this year DeSisti showed redesigned and upgraded versions of their popular lighting line. Their SoftLEDs have been re-engineered so that the fixtures have a smaller profile for low ceiling studios & location use. Reflectors have been eliminated and nowuse an aluminum extrusion for the housing giving a compact yet rugged design. The original remote phosphor technology has been replaced with fixed white chips, affording the fixture 50% more output while retaining CRIs greater than 95. All four sizes of the new SoftLED are available in fixed daylight, tungsten, or variable white (2700K - 6500K).

DeSisti has also added the F4.7 into our line of 6" & 10" Variable White (2700K - 6500K) fresnels. This is our 650W tungsten / 200W HMI equivalent.

The fresnel line features upgraded the chips in several of the LED Fresnels: the F10 chip has been bumped up from 165W to 181W making it a true 2K Tungsten/700W HMI equivalent. The F14 has been bumped up from 365W to 400W giving outputs equivalent to a 3K Tungsten / 1.2K HMI and introduced the F14 High Power which uses a 600W chip giving outputs equal to a 4K Tungsten / 1.8K HMI.

DeSisti also showed a line of Track Mount fixtures, using the same track as other manufacturers. The 3" Piccoletto, F4.7 Fresnel and SoftLED 1 units make a great solution for light labs, teleconferencing, non-traditional studio spaces, and museum applications.

http://www.desisti.it/

Environmental Lights

Environmental Lights were also showing their products for the first time at LDI this year. They featured its extensive assortment of LED tape and DMX driver technology. Their new 5-in-1 LED tape contains RGB diodes with tunable white also featuring both 2,500 white AND a 6,500 white diode with adjustable frequency drivers making it ideal for television applications where flicker control is critical for broadcast quality productions. This new 5-in-1 LED tape produce is expected to start shipping in December.



https://www.environmentallights.com

Fiilex

Fiilex’s LED Track Lighting System consists of the Fiilex Pro Track and the T360 Pro Plus LED fixture. The T360 Pro Plus is a compact, highly controllable LED fixture with an integrated ballast. Its extremely low-profile makes the T360, in combination with the Pro Track, the most suitable lighting system on the market for smaller studio spaces with low clearance. The Pro Track is an architectural-grade surface mounted lighting track that supports up to two unique power circuits. The track features a 22 gauge nickel-plated copper DataLine that can provide DMX control signals to any compatible track fixture. When fully installed and supported, the track can support up to 22 pounds per foot. Infinitely configurable with a wide array of couplers and feeds, the system is available in either black or white.

http://www.fiilex.com/

Frezzi

Though Frezzi didn’t new releases at NAB this year, there are two recently released fixtures that generate a lot of interest

Frezzi SunLight KitThe Frezzi SunLight is a daylight balanced replacement for the 575w HMI that only draws 220w at full power. Without optical filters, the focusing beam goes from a20-degree spot to a full wide flood. It will also dim from 0 – 100% without any color shift. It will run on AC power or camera batteries for 45 minutes. The SunLight only weighs 6.5 lbs. and is available in kit form.

The Frezzi ProLight is a camera-top LED light in daylight CCT that has a very low power draw of 8w.

It includes barndoors, CTO filter and a diffusion filter mounted on the front. It is all aluminum and is fully weatherproof. It has a fully articulating arm that attaches to the camera. The ProLight can be powered by your camera battery or a hot-shoe. As with the SunLight, The ProLight is fully dimmable with no color shift.

If that’s not enough, it even has a USB port to charge your phone or other devices!!

http://www.frezzi.com/

Fuel Lighting Systems

FUEL Lighting Systems develops cutting-edgewireless lighting systems that change the wayeventplanners, venue owners,hotels and lighting professionals, envision and design events.

Their Angle Light series comes in three versions; Zoom, Wash, and Mini Wash.

All have rechargeable batteries and a variety of way to mount them including a Powerful Magnetic Base.

New to the line is the Angle Light Mini WASH Fixture which is the perfect companion to their popular Angle Light Zoom Fixture.

With a newly developed 2-LED Light Engine, along with a cutting-edge rechargeable Lithium Battery system, Fuel now has a powerful wireless fixture that truly expands your ability to perfectly highlight everything from Food Stations to Wedding Ceremonies,

The Mini WASH has an impressive array of important features that will allow you to utilize it in many challenging event settings.

https://fuellighting.com

Gantom

Gantom added a new seven-color, 7W DMX spotlight to their existing fixture line. The Gantom 7 has a native 15-degree beam angle and includes micro-lenses with a magnetic accessory holder. With options for stand-alone control as well as DMX control; and a non-linear dimming curve, the Gantom 7 features lime, amber, and UV beyond the common RGBW to achieve colors unavailable in standard LED fixtures. It also has an IP65 rating for outdoor use and can be cabled via Gantom’s Go Cable system with power and data on separate connectors; or the Pro Cable system where power and data are integrated into a single cable.

Gantomalso has a new Storm Series line of compact IP rated fixtures suitable for permanent outdoor installation. The line of spot and wash fixtures are available in black, white and silver.



http://www.gantom.com/

Kino Flo

As one of the leaders in studio fixtures, Kino Flo has put a new focus on user control. Kino Flo’s newFreestyle series unleashes your creative side by using a newly designed quick-release system to remove the LED panel from the plastic housing. The smaller form factor and lightweight LED panel make finding the perfect angle easy!

Kino Flo’s new LED’s include new menu options, white and color menus. Those who prefer to work with white light can use the "white menu" that gives the user access toDimming,KelvinandGreen/Magentacontrol channels. Kelvin range is from 2700K tungsten to 6500K daylight while the color menu allows users to select gel presets or choose their own color. Kino Flo’s new approach to user experience is sure to make lighting control simpler and more accessible to users of all experience levels.



http://www.kinoflo.com/

Lightronics

Lightronics offers a wide range of lighting solutions - ranging everywhere from the lighting fixture to dimming, programming, and controls. This year Lightronics was showcasing an LED house light that is currently in prototype. The fixture will likely be available in both 2700K and 4000K color temperatures as well as options for DMX, RJ45 as well as Phoenix connector options for getting control into the fixture. The fixture houses a 100W emitter with a 50W PSU - at full intensity, this fixture only pulls a mere 150W. There will also be shroud and recess kit options available as well as hanging options to be yoke mount and threaded rod with lens options being 25, 40 and 60 degrees. The unit itself is flicker-free and has a very nice dimming curve that slows down dramatically at the bottom end.

http://www.lightronics.com/

LiteGear

LiteGear showed the benefits of their new CineMitter series of applied phosphor LEDs. Exclusive to LiteGear, these new emitters set the standard for cinematic, color-correct LED lighting. Efficient, and full-spectrum, these LED chips offer state-of-the-art output with a 40% increase in brightness over VHO Pro. Another distinct feature of the CineMitter is the extended Kelvin range. LiteGear pushed the lower CCT to 2600 degrees Kelvin (K) allowing for candlelight or deep-tungstenoutput while increasing the CRI to a staggering 95+ — that’s nearly indistinguishable from traditional incandescent sources! On the cool side, the CCT was pushed up to 6000K to better balance for overcast sky or cool white fluorescents. This increase in CCT still achieves a CRI of 95+ and provides beautiful, full-spectrum daylight. CineMitter is now standard on LiteMat S2, LiteMat+ Plus, LiteTile — and coming soon to LiteRibbon.

Speaking of LiteMats, the new LiteMat+ Plus series of LED lightfixtures is the ideal luminaire for set lighting and rental company inventories. LiteMat+ Plus incorporates everything you love about LiteMat, features thenew CineMitter, and adds somedistinctly new features. The most notable change is the PL7 lockingconnection system, which happens to be the same for every size of LiteMat+ Plus, and the new LiteDimmer+ Plus series of dimmers with built-in camera battery mounts.

LiteDimmer Universal is a professional, cinema-grade,icker-free, LED DMX dimmer.This standard capacity (8A total), o ers both manual and remote dimming inone. The LiteDimmer Universal is designed to work with Single, Hybrid, RGB, andRGBW/A LiteRibbon, has an operating voltage from 12VDC to 48VDC, and allows foradjustable PWM. LiteDimmer Universal-W offers all of the same features of the Universal dimmer but adds the feature of built-in wireless DMX. Using genuine LumenRadio CRMX technology ensures compatibility with LumenRadio CRMX and Wireless SolutionW-DMX transmitters.


LiteGear also presented a check for $7750 representing a percentage of the profits from sales of their new flagship fixtures, LiteMat+ Plus, to support the Behind the Scenes Charity.

Upon presenting the check, LiteGear CEO, Al DeMayo, stated “We are very proud to be part of such a great charity. The support for entertainment industry members is an admirable cause that LiteGear can really get behind.”

Tobin Neis of the BTS Foundation Board of Directors commented, “Behind the Scenes is thrilled to have LiteGear as a part of our Pledge-a-Product program and for their first year they and their customers have made a wonderful contribution that will go far to help entertainment technicians in times of crisis.”

http://www.litegear.com/

Martin by Harmon

VDO Fatron - 20 is a 20 mm pixel pitch outdoor-rated LED video batten with an extensive range of optical accessories for a wide variety of looks that allows you to play with creativity in 3D stage designs. Easy video-mapping and creative mix ‘n’ match with other Martin LED video products via the P3 System Controller. It uses the same integrated power and data cabling as VDO Sceptron and VDO Dotron. It is supported by integrated power and data processor (P3 PowerPort 1500 or P3 PowerPort 1000 IP) and a simple cabling system. It uses P3/DMX/RDM controllable (automatic protocol detection) and has an extensive range of built-in effects. Fully brightness and color calibrated for optimal consistency between products (colors matched with VDO Sceptron and VDO Dotron).

The unit has 8 different diffuser options plus 1lens option(all field-exchangeable) and isIP65 rated for outdoor use and available in two lengths: 1000 mm and 320 mm.

Mac Encore Wash - Designed to produce rich color and premium white light in a wide variety of applications where light quality is critical. The feature-packed soft edge moving head comes in two separate color temperatures 3000 K and a 6000 K crisp, neutral daylight. Both have a fully electronic dimmer/shutter control with various dimming curves and tungsten red-shift emulation. Vibrant CMY color mixing with a superior palette of colors ranging from rich, saturated primary colors to light and smooth pastel shades. Variable CTB and CTO filters and 6 interchangeable dichroic filters + open. Fresnel lens: 1:4 zoom precise, silent and fast zoom. Internal barndoor system with two shutter blades and iris. Shutter blades can overlap for full blackout and the entire system rotates +/- 100°. Repeats cues with great precision. Precise and tight iris with adjustable dynamic effects. Animotion™ FX System, internal dimming effect macros for stunning 3D mid-air and projection effects. Super precise and silent pan/tilt movement and positioning due to 3-phase stepper motor technology and absolute position monitoring.

Mac Encore Performance - moving head offers 6000 K neutral daylight. It contains a full color mixing system as well as a fully variable CTO/CTB depending on the model selected. Both include a flat field without color temperature variation during zoom and dimming. Their flicker-free operation is based on an LED driver frequency suitable for all camera applications. Both fixtures create minimal noise by combining convection and forced air cooling with user-selectable output vs. sound level control. Vibrant CMY color mixing with a superior palette of colors ranging from light and smooth pastel shades to rich, saturated primaries can be found on board. Variable CTO, CTB, and 6 interchangeable dichroic filters + open come as standard. 1:4 zoom—precise and fast, silent zoom with auto-linked focus. Four framing shutter blades with individual +/- 30° adjustment and entire system rotation of +/- 55° allow for high-precision cues. Five rotating glass gobos with next to zero focal separation from the framing system. Animation wheel with continuous multi-directional rotation and indexing with a variable angle, speed, and direction. Animotion™ FX System—internal dimming effect macros for stunning 3D mid-air and projection effects. Precise and tight iris with adjustable dynamic effects. A soft frost is included that leaves gobo artwork and framed images visible with a beautiful soft edge. Super precise and silent pan/tilt movement and positioning due to 3-phase stepper motor technology and absolute position monitoring.

http://www.martin.com/



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