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CATEGORY: NAB 2019


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Brightline

Brightline this year was featuring their new cMe2, Huddle Room Light. This new Credenza or Wall-mount fixture is heading to production and will be available soon. The fixture utilizes 3500°K CCT LEDs with a high-quality output of greater than 97 CRI, perfect for video conferencing applications. Power consumption per fixture is 32 watts. With a quick setup, available pan and tilt, and an onboard dimmer wheel Brightline is targeting this fixture at all those permanent or impromptu huddle rooms throughout your facilities. These spaces are often hard-to-light yet perfect-to-collaborate in. Standard black finish and comes with hardware for wall or Credenza mount.

Also featured at their booth was their line of entirely POE fixtures; BL.16, Flex-T, Strealth-T, LVCI, and VideoPlus.  These fixtures offer simple power runs, are easy to setup, and reduce power consumption. Power and control are carried over Cat5 or Cat6 network cable.

http://brightlines.com

Chauvet Professional

Chauvet several new items which they released at Prolight + Sound (they, unfortunately, were unable to bring the fixture with them to NAB)—the new Chauvet MK3 profile and spot units.

The MK3 Profile has almost 4 times the amount of lumens as the MK2—51,000 source lumens to be exact. CT is 7,441K with a CRI of 91.2 with filter (CRI is 73 without). It has a large zoom range of 6 to 54 degrees. Similar to the MK2 it has an advanced shutter system however, with a 120-degree rotation. Color mixing includes CMY and CTO, along with a 6 color flag wheel. For gobos, there are 7 rotating glass and 9 static. Other features include an effects wheel, two frost flags, fast 9:1 iris, 3 facet and 5 facet prisms. The MK3 Spot is similar to the Profile with a couple of exceptions. They replace the framing shutters with a 3rd gobo wheel (rotating) and the Spot includes a 5 facet linear and 5 facet round prism wheel.

For highlights on-set or for the control/edit rooms, Chauvet Professional's Ovation FTD-55WW is a track mounted, warm white LED (3-inch) "inkie" Fresnel-style fixture. This fixture projects a bright, beautifully soft field of light within a 30º – 69º field angle controlled by a manual zoom allowing you to add light where needed. A barn door for the fixture is included to help shape the light and direct the light.

https://www.chauvetprofessional.com

Chimera Lighting

Chimera is the premier designer and manufacturer of quality lighting products for film, video and still photography. Their lighting products consistently deliver award-winning imagery and are probably the most sought-after accessory for any lighting fixture. At NAB 2019, Chimera continued their product development with Litegear to create larger overheads with new F3. The F3 not only provides bright, even distribution of light, it also packs up into a convenient carrying case. If portability is, even more, your thing, then check out the Panel Lantern; small, portable, bright overhead lighting.

Chimera continues to add accessories like soft boxes, diffusers, barn doors, scrims and speed rings for almost every major lighting manufacturer on the market. If you need assistance figuring out which accessory goes with which fixture, check out their handy website: https://chimeralighting.com/speed-ring-finder/

Cineo

Lightblade LB Edge Series

NBCUniversal, in partnership with Cineo, has re-designed the ultimate creative lighting tools for Motion Picture and Broadcast:  the LightBlade Edge modular fixtures.

Individual Blades are the key component to the modular LightBlade Edge fixtures.  At 24″ (610mm) or 48″ (1.2m) wide by 2 1/2″ (64mm) deep, the individual LightBlades bring you both versatility and a low profile footprint that can efficiently and discreetly light even the darkest and tightest corners of your set.

Each individual LightBlade can operate as a stand-alone fixture, with internal AC power supply, control electronics with DMX and Local control.  Combining superior white light with innovative full-gamut saturated color technology, a single LightBlade delivers up to 5,000 lumens at an 80-watt power draw.  Both 24″ and 48″ LightBlades are the most powerful linear lighting engines on the market.

The LightBlade Edge fixtures offer a unique modular design.  LightBlades are integrated into the mounting system to create the Edge 160 (2-Blade) and Edge 320 (4-Blade) fixtures, delivering 10,000 or 20,000 lumens.  The LightBlades in the Edge fixture can be set to operate as an integrated light source, or they can operate independently for dynamic lighting effects.

The LightBlade Edge modular fixtures offer the simplicity of a complete lighting fixture with the flexibility of individual LightBlade control.

Lightblade LB800

Introducing the Lightblade LB800™, the latest professional lighting tool from NBCUniversal® and Cineo Lighting™.  The LB800 represents the latest technological advances within the Lightblade product line, with new features and even greater flexibility.

Like all LightBlade fixtures, the LB800 uses proprietary phosphor-converted white light LEDs, as well as phosphor-converted saturated color LEDs. These work together to create a balanced, natural-looking spectrum. The saturated color LEDs use the exact same dies as the white LEDs, so all light emitting elements of the LightBlade products carry identical thermal stability and perform over time with consistent color quality.

Additional features include support of both 8-bit and 16-bit DMX data, as well as multiple color space personalities.

Controlling the color space for each zone can be accomplished in either HSI + CCT mode, or RGB + CCT. The LB800 can store and recall multiple fixture settings for quick access to frequently used lighting parameters.

For dynamic lighting effects, the LB800 can be configured in 10 independent zones, with complete DMX/RDM control over each zone. For advanced use, all parameters for each zone are completely configurable via RDM.

The LB800 includes the same intuitive graphical user interface as the LB1K and Cineo Standard 410 delivering predictable, repeatable results. The fixture can be controlled locally or remotely with wired or built-in wireless CRMX control.

https://www.cineolighting.com

Coemar Lighting

Otello 8 Full Spectrum

The Otello 8 Full Spectrum is a fully motorized zoom Fresnel. It has 20-bit color mixing through 6 colors: red, green, blue, cyan, lime, and amber. Color temperature control from 27K to 65K and an average CRI of 95. The fixture boasts 16-bit dimming with 4 dim curves that can be selected digitally. The motorized zoom capabilities allow for a range from 14 to 84 degrees. Green-Magenta adjustment, flicker-free operation, and 4 different fan settings, (low, auto, studio and DMX control) round out the key features of this versatile lighting fixture.  Also available in Tungsten, Daylight and Variable White.

Otello 6 VariWhite

Available in Tungsten, Daylight or Full Spectrum, The Otello 6 VW will have a color temperature range of 2800K to 6500K with an average CRI of > 94.  The motorized zoom will allow beam control from 14 to 81 degrees. Thanks to HD electronics, the smooth 16-bit dimmer is processed at 20-bit. It will also have the same guaranteed flicker-free operation and fan settings, (low, auto, studio, DMX control) as the Otello 8.

ReLite LED HD

The ReLite LED HD is a replacement LED, designed to retrofit 1K and 2K traditional incandescent fixtures. It has an internal microprocessor and HD electronics that allow for customization. The ReLite comes in fixed white at either 3200K or 5600K with a CRI of 90. Smooth dimming from 10% to 100% using traditional triac AC or IGBT dimmers. You can utilize your existing incandescent fixtures and reduce power consumption by over 90% with almost no heat generated. And longer lamp life means no relamping issues. It is also flicker free for TV and Broadcast installations.

ReLite Kit

Designed to retrofit every old halogen fixture, the ReLite Kit is an LED source that can be controlled not only from traditional triac AC or IGBT dimmers but also by DMX. Comprised of an external power supply and LED source, the ReLite kit will have improved light output compared to the standard ReLite versions, will be available in tungsten, daylight or variable white, from 2700K to 6500K and a CRI of 90 to >95. The kit boasts smooth 16 bit dimming with no color shift when dimming and the same power savings and flicker-free operation as the original ReLite LED.  

http://www.coemar.com

Dedolight USA

Dedo was back at NAB with a series of fan-less LED focusable fixtures like the LEDZilla and their 20/40/and 90-watt units. However, none were newly released since 2018. Dedo is looking to update their line of non-LED fixtures but are working hard trying to make the efficiency to be equivalent as their halogen predecessors.

http://www.dedolight.com

DeSisti Lighting

Desisti VW Line of fixtures

Desisti will be adding plus/minus green to their VariWhite line of Fresnels. The addition of Lime and Magenta Led’s will allow users to better control color balance. This feature will be available in all fixtures in their VW line. DeSisti has also added the  F7 & F10HP to the VW Fresnel range.

DeSisti SoftLED

DeSisti also was showing their popular led Softlight series. The newly designed DeSisti SOFT LED are available in color-tunable variable white and fixed white with Remote Phosphor. These fixtures have a controlled beam and soft white source, ideal for multiple camera use in the studio, with more effective control of the beam projection with their effective honeycomb grids in various beam angles. Fixtures are available in various sizes based on your needs and ceiling heights.

Desisti Space Light Prototype

Desisti showed a Prototype Space Light they hope to release later this year. The fixture will use the same driver found in their Soft Series, will have variable White capabilities, and at 340 Watts, boast a 6K equivalent. 

https://www.desisti.it/

Draco Broadcast

At 5.5 lb, the LED1000 Pro Bi-Color LED Light with V-Mount Battery Plate from Dracast is an ideal choice for location work, interviews and small sets where color accuracy, control, and flicker-free output are of major importance. The 95 CRI variable color temperature from 3200-5600K or anywhere in between means that you can quickly match the prevailing ambient or artificial light balance with a simple twist of a knob while others are still applying filters. Dimming is equally convenient via another knob that adjusts the light intensity from 100-0% with negligible color shift. The low electrical draw of just 60W means a timely return on your investment. The durable aluminum frame is supported by a sturdy, U-shaped yoke with locking knobs on each side and a standard 5/8″ receiver. The LED1000 can be used worldwide, powered by the included 100-240 VAC adapter or by optional V-Mount 14.8V batteries. Accessories include optional 4-way barn doors for contouring and control of the LED1000’s 45-degree beam angle. A carry case is included.

https://dracobroadcast.com/dracast/

Erector Sets

Established in 2003, Erector Sets has become a leading broadcast and specialty set design and construction company, with projects delivered across the United States and around the world. Based in Philadelphia, Erector Sets provides a complete range of services in-house including, graphic design, fabrication, engineering, video and lighting technology integration.

Erector Sets is focused on merging clean, thoughtful design, with each project thoughtfully tailored to the customer’s requirements.

https://erectorsetsinc.com

ETC (Electronic Theatre Controls

ETC, a leading manufacturer of lighting and rigging equipment for studios, live entertainment, and architectural installations, will be in booth C4441 at NAB 2019. ETC will have a range of lighting-control solutions in booth for attendees to demo. With the sophisticated line of Eos consoles, budget-friendlyColorSource desks, and High End Systems’ latestHog 4-18 console, ETC has a product for any level of control needs.

For high-quality lighting that looks stunning in person and on camera, attendees can explore a range of luminaire offerings. Top-of-the-line ETC fixtures include the Source Four LED Series 2range with a Daylight HD array designed specifically for studio use. For users on a budget, ColorSource productswill be available for demo, including the Pearl variable white-light LED array. The booth will also feature automated fixtures such as ETC’s newRelevé Spotand High End Systems’Sola Series of moving fixtures.

http://www.etcconnect.com



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