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CATEGORY: NAB 2019


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Fluotec

New from Fluotec at NAB was the CineLight 120 Quad. This Tunable Softlight square format quad LED panel is white light tunable in color temperatures from 2700k to 6600k and sports a reported 97 CRI. The lightweight 24.25 lb fixture packs a power punch at only 266w. Quad measures 21” high by 24” wide creating a very large and even source of light. Quad is the largest light source in Flouotec's Cinelight line of fixtures complementing its 1x4 brother, the Cinelight 60 1x2, and the Cinelight 30 1x1. All can be controlled locally by the digital display or via industry standard DMX-512 control protocol.

http://www.fluotec.net

Frezzi

Frezzi Energy Systems is making it easy to work smarter, not harder. This is apparent with the addition of their 3-point LED Light Kit “EyLight”. Not only does this 3 head kit make working in the field a breeze, but getting to and from your destination as well. This LED kit is carry on friendly, with everything needed fitting directly into the weatherproof Portabrace hardcase. In addition, the travel kit is cordless and provides a quick and easy set up with professional results. Even better, the EyLight features a high output (80W Equivalent), 4 hours of run time, a quick- swap rechargeable battery, and dimmer control without color shift. The addition of the EyLight to Frezzi Energy System’s lineup proves that they are still committed to providing high quality and unique products that are unique to the industry.

Hive Lighting

Hive showed the new BUMBLE BEE 25-C. At 2.5” long and weighing just 1lb, the BUMBLE BEE 25-C is Hive Lighting's most portable fixture. It has multiple mounting points to allow for easy rigging to cameras, drones, practicals, stages, and sets.

Like all Hive LEDs, the BUMBLE BEE 25-C features Hive’s Perfect S.H.O.T. system and Omni-color LED technology, runs off a battery or universal wall power and is compatible with hundreds of accessories.

Bumble Bee 25-C FEATURES:

  • Omni-Color LED
  • 25W draw
  • 150W incandescent equivalent
  • Up to 98 CRI / 97 TLCI
  • 360° Hue Control
  • 0 - 100% Dimming Control
  • 0 – 100% Saturation Control
  • 1,650K – 8,000K Color Temperature
  • DMX and Smartphone control
  • 100 – 240 V input via Universal Wall/Battery
  • 12V input via XLR
  • 2.5” / 63mm Length
  • 4” / 100mm Diameter
  • 1 lbs. / 0.5 kg. Weight

The Hive Honey Mirror is a tunable LED light mirror that can reproduce any color in high fidelity. Easily tune color temperature using the manual knob, or use the Hive S.H.O.T App to recreate any saturated or white light environment. Full spectrum, and a wide gamut, the Honey Mirror is perfect for double-checking a look in any situation. Equally useful for completing a morning touch-up at home, or to perfecting FX make-up big-budget shoot.

The tunable color of the Honey Mirror replicates the color and beauty of full spectrum sunlight. Look your best in any light, ahead of time.

Multiple mounting options available including a road case mount option. 

VOLTAGE: 120V
WATTAGE: 70W
LUMENS: 6,000 Lm
CRI: 90+
LENGTH: 32.25”
WIDTH: 31”
DEPTH: 8”
WEIGHT: 50 lbs

https://hivelighting.com

IKAN

Ikan’s Lyra RGBW 1x2 soft panel RGB Digital Color lights have high CRI chip LEDs paired with a soft panel, giving you a very soft wrapping light. Its variable color adjustability from 2700K-10000K is great for any light setup. The RGBW also, give the professional a variety of colors to play and create with. The beam angle of the light is a wide 110 degrees, making it possible to light a large area with a single fixture. The best thing about a Lyra soft light is the nice clean shadow you get from the light itself. The HSI color mode allows you to adjust the hue, saturation, and intensity,

The heavy-duty yoke and baby 5/8″ or 1 1/8″ Junior combo pin allow you to attach to any stand or use in any studio configurations. The quick set disk locking system allows professionals to lock the light in place when aiming the fixture.

The Ikan Onyx Digital Color Light is designed for color creation. It has a RGBWA LED panel that has five color modes to satisfy the needs of the professional. The RGBWA Mode allows you to control Red, Green, Blue, LEDs independently. This allows the user to make literally millions of colors. The Amber and White LED’s allow for a more accurate color temperature when reproducing daylight or tungsten lighting. While CCT Mode offers color temperature control from 2800K to 10,000K. The Hue shift of Magenta/Green gives the user better matching control when using this light with other LED fixtures. Saturation control on all the gels. With a CRI/TLCI rating of 95, this light has all the color the camera can see. The Onyx digital color light has 33 different gels to choose from and 8 different built-in special effects.

https://ikancorp.com

K5600

K5600 introduced a new family of lighting. After looking for a solution that met the K5600 exacting engineering standards, K5600 found a way to manufacture LEDs without compromising on their promise of quality and reliability. At NAB 2019 K5600 introduced the Joker 300 LED and the Alpha 300 LED fixtures.

The Joker 300 is the same familiar form factor and compatible with Joker 400 accessories and is available in four configurations; Parabolic Beamer, Lenses, Soft Box, or Ellipsoid Spot. The lumen output in some configurations is comparable to the Joker 400.

The Alpha 300 is based on the Alpha 800 HMI and delivers crisp highlight/shadow quality comparable to traditional tungsten or HMI Lights. It is adjustable from five to 55 degrees of beam spread, had a 6.9” PlanoConvex stepped lens, giving bright and even light.

Both LED units feature :

  • K5600’s unique bi-color matrix LED chip
  • High lumen/watt output and 95+ color rendering
  • 300-watt max output from 2700 to 6500 K.
  • Wired and wireless DMX compatibility, using Lumen Radio protocol
  • 9’ K5600 standard head cable.

Ballasts are available for either a single unit or one that can drive up to four heads.

http://k5600.com/

Kino Flo

The new FreeStyle 4 LED DMX fixture and controller was the newest offering from Kino Flo at NAB this year. It is an addition to their FreeStyle T44 fixture line. The LED tubes used display Kino Flo’s True Match white light and RGBWW color management system.

As the name suggests, there are 4 True Match tubes attached in the fixture housing. They are RDM capable. The controller for the fixture has four menu options; one white, two color and FX. With the white menu, the color temperature range is from 2700K to 6500K with dimming, Kelvin and Green/Magenta control channels. In the first color menu, the color temp range is from 2500K to 9900K, with three additional channels; Gel, Hue Angle and Saturation. The Gel channel includes presets such as blue and green screen and over 100 well-known lighting gels colors. The second color menu provides individual RGB control. The FX menu has custom presets like Candle, Fire, TV, Police, Lightning, Paparazzi, Pulse and Scroll. The controller comes with standard DMX, wireless DMX (Lumen Radio), universal input of 100-240VAC and 24VDC. This is a very versatile fixture and is made to Kino Flo’s exacting standards.

https://www.kinoflo.com

LiteGear

Further expanding on the popular LiteMat, LiteGear introduced their LiteMat Spectrum. It can accurately reproduce any shade of white that the camera considers correct. That can be anywhere between 2,000K and 11,000K with +/- 8 points of tint correction. LiteMat Spectrum can also augment its white light with color accents. Saturated color can be delicately added with 100 shades of depth. LiteMat Spectrum can also improve post-production workflows.

https://www.litegear.com



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