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CATEGORY: NAB 2018

“ Reports from Barbizon on new and interesting lighting and production equipment for content acquisition and at the National Association of Broadcasters Show held April 9-12, 2018 in Las Vegas, Nevada. ”


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Ikan

Ikan OryonIkan was showing their new Oryon 14” and 18” Bi-Color 3200K-5600K Ring Light w/ 15mm Rail Adaptor, Light Stand, and batteries. This new multi-mount ring light is available in 14” and 18” and has just the right amount of illumination to give any subject that sparkle in their eyes. The large diameter opening allows for any size camera to be used with the light. The soft diffused LED’s give the ring light a bright but wrapping light that makes your subjects glow. The control knobs on the back of the allow you to quickly switch from brightness to color with a simple push of the button. The custom 15mm camera mount system allows the professional to adjust the camera to any height. The heavy-duty compact stand folds up tightly and makes it easy to carry. The lights come in Bi-Color (3200K-5600K adjustable) with a 96 CRI and a 97 TLCI. Also with two Sony L batteries and Dual charger included this light give you up to 4 hours of uninterrupted light. http://ikancorp.com/

K5600

Under new domestic ownership, K5600 has completely revamped their flagship Joker line with the Joker2. The new fixture is available in 400w, 800w, and 1600w versions, and features a redesigned yoke and brake system, new twist-off lamp housing, and a revamped dimmer system, which allows for both wireless DMX through Lumen Radio and local control through an onboard dimmer. The burner assembly on the back of the fixture has also been redesigned to be removable for ease of service – when a unit goes down, the end user no longer needs to send the entire head in for repair. This module also makes it possible to bypass the ballast entirely and put a quartz tungsten globe into the lamp base, for 3200K-based shooting. The Joker2 system is shipping now. http://www.k5600.com/

Kino Flo

Kino Flo’s FreeStyle 41 LED unleashes your creative side by using a quick-release system to remove the LED panel from the plastic housing. The smaller form factor and lightweight LED panel combined with four corner bumpers add further rigging versatility. The LED panel also includes an additional mating plate so it can still be mounted on a stand. Also on display was the new line of full color LED tube replacements. These will work in conjunction with the new FreeStyle power supply. http://kinoflo.com/

Litegear

Creating a buzz at the show was Litegear's LiteBox, the perfect accessory for your new LiteTile+ Plus.This modular system is designed so that you can mount your LiteTile to a lightweight rigid frame and then have the option of diffusing the LEDs at 1 inch (2.5 cm) or 6 inches (15 cm) away. LiteBox comes with the same three, familiar diffusers as LiteMat — so you can always integrate them together — and opaque fabric sides to eliminate spill light when used in the 6-inch deep version.For rigging, LiteBox is surrounded by 1/4”-20 PEM® nuts and comes with an optional 5/8” baby pin adapter or grip head mounts. Litegear also brought several pieces of gear to NAB this year that won’t be released until this summer, but brought a lot of interest to their booth. The LiteMat Plus 8 is the largest and newest iteration of the popular LiteMat line. It's a 4’ x 4’ bi-color LED light source that only draws 400 watts. It can be powered by battery or AC and is controllable via DMX. It has front mount accessories available, like the Snapgrid, and it can be hung or velcroed to a wall, or mounted on a stand using its center ball mount. They are also making an LED retrofit for the KinoFlo Image 80, 85, 87, and Flathead fluorescent fixtures. Using the existing frame and yoke, the light engine installs over the existing reflector using 4 screws. Also included is a new power supply/controller where you can choose tungsten, daylight, visual effects green or visual effects blue. Perfect as a large soft source or chromakey light. The LiteMat Spectrum brings camera compliant RGBW to the game to the LiteMat line. Color balancing available from 2000k to 11,000K. It has full spectrum color available, and color can be desaturated using the white light that you have color balanced to. The controller allows you to select the type of camera you are shooting with to ensure compliance. It also is controllable with onboard wireless DMX. http://www.litegear.com/

Litepanels

LitePanels EffectsLitepanels launched a new 2’ x 1’ softlight this year called Gemini. The Litepanels Gemini 2x1 LED soft panel provides a beautiful and wide source of soft, color accurate, full spectrum Daylight and Tungsten lighting. Gemini allows users quick and easy precision adjustment of light with three fully featured lighting modes; CCT Mode for true daylight and tungsten with +/- green fine-tuning, HSI Mode for total control over hue, saturation and intensity to create any color in the 360 color wheel at any intensity from 0-100% and Gel Mode to easily replicate the industry’s most popular gel sets with a daylight or tungsten source. The Gemini is truly versatile with its intuitive onboard controls and remote control options via standard DMX 512 protocol, wireless DMX or Bluetooth and can adapt to any lighting situation today’s Cinematographers and lighting professionals will find themselves in. The manual control knobs are sensitive to the speed of rotation and can either be finely tuned or when ramped up can adjust very quickly. Together with its lightweight design with built-in power supply, and full intensity mobile power operation, via 3pin XLR, the Gemini offers rapid rigging with fewer cables making it the perfect location light.

Lumos by DMLite

Lumos-Glow-PanelLumos continues to expand its LED lighting fixture line with both variable color and fully RGBW color changing capability. The Lumos Glow Panel 200C (1k tungsten Output)and 400C (2.5k tungsten output) is ideal for location, commercial and entertainment. Featuring a full range of white color temperature 2800k to 10,000k, all metal body, hybrid cooling system, flicker-free, stable dimming, standard DMX512/RDM, onboard useful 10 presets on a simple interface. For those of you that looking for a white light only panel fixture, check out the brand new line of Lumos 200GT (30w), 300GT (50w), 500GT (120w) and 700GT (200w). The “F” series is available if fixed color 3200k or 5600k. The “MK” series is available in two separate adjustable color temperatures including 3200k-5600k or 2800k-6500k. All available with 40, 55, or 85-degree lenses. Ask your local Barbizon office about the battery mount (12-24v) and snap bag accessories. All fixtures feature a 95+ CRI and come with a 2-year manufacturer’s warranty. http://www.lumos.co.kr/

Manfrotto

Manfrotto Pro Light Cinematic Expand CaseThe ManfrottoPro Light Cinematic Expandvideo backpack is a professional videographer’s bag designed for a one-man-band & run and gunner who needs to carry everything required to do their job in a single bag. This carry-on* pack is built to hold and protect a modular camcorder with up to 70-200/2.8 mm lens attached and up to 10 lenses, video accessories or camera bodies. Manfrotto’s signature Camera Protection System dividers ensure optimal protection from the heart of the bag. An independent, checkpoint-friendly laptop pocket holds a device up to 17”.Thanks to its expandable front, this pack can be made bigger to fit a camcorder with its handle assembled. With a simple gesture, the bag can be expanded and its configuration changed to a handy working mode. When the backpack needs to be as compact as possible for travel, the front panel can easily be made smaller to fit carry-on travel bag size criteria. The new Flexi Shock Absorbing System helps place different cameras in the right position to provide space for the expandable handle while cushioning the contents for optimal camera body protection. The bag also features quick access to the internal zippered pocket from the side, so that you can change lenses without losing a moment. The front and side Never-Lose strap secure your video gear’s perfect support to your bag. The load lifters, sternum straps, shoulder straps and waist belt are fully adjustable for the most comfortable, customized fit. Made of water-repellent Rip-Stop nylon/polyester, hollowed ITW Nexus buckles and Duraflex hardware, the pack is ultra-lightweight yet strong enough to safeguard a large amount of gear for the long haul. It also features external zip or stretch pockets for accessories and a water bottle. The backpack comes with a DuoFace sun/rain cover to protect from harsh weather and reflect sunlight to keep gear cool and dry all day long. https://www.manfrotto.us

Manios Digital / Kinotehnik

New from Kinotehnik is the Practilite 802. It’s an IP54 Dust and Waterproof Bi-Color LED light with precision secondary optics to achieve unprecedented light output and power efficiency in a portable unit. This light has plenty of punch for its size. It’s about 50% more powerful than most popular 1x1 LED panels. The specs have it at 1860 fc at 30- degree beam (370 fc at 90-degree beam, fully diffused) while consuming a maximum of 90W. It features a silent cooling system as well. It’s designed to be compact and rugged while providing a solid and powerful lighting solution. Its power by DC or battery and can also be controlled by DMX. It also connects with smart devices via Bluetooth for quick set-up and easy adjustment when hard to reach. https://www.kinotehnik.com

Matthews Studio Equipment

Matthews Studio Equipment brings several updates to classic product lines as well as new equipment to their growing catalog of grip gear. An update to the K-Stacker, the K-Stacker II allows for (3) Kino Flo Select 31 fixtures to be mounted vertically on one position, or (2) classic 4-bank Select fixtures. The unit features junior pins at the base and out the side, for horizontal or vertical rigging, and a baby pin on the top for grip heads and other accessories. Also updated was the Dutti line with the Dutti Dock, which is a camera sled that, when paired with a quick release plate, allows for convenient camera support on any medium-duty light stand. New products from Matthews included the MQ mount, a rugged T12 clamp that is designed to be a tight fit without the possibility of over-tightening and damaging the fixture. Also new is the panel stand, a crank-driven light stand with a combo mount and a low base, specifically designed to support long 120-profile fixtures in a vertical orientation without their running into the legs of the stand. https://www.msegrip.com/

Miller

The Miller Compass X 16 CB Plus is the newest fluid head tripod available by Miller. 5 heads total in the range. They range from a weight capacity of 0-16kg. It comes with side loading camera plates to make it easy to mount and dismount loaded rigs. There are also spare ¼ inch and 3/8 inch screws hidden in the head. 16 positions of counterbalance available on these units. It uses a fluid drag system as well. Precise floating pan-tilt caliper locks ensure bounce free on-off performance. Designed to last and built rugged for extreme conditions. They also have nice features like an illuminated bubble level as well as rosette’s that have replaceable teeth once they wear out. https://www.millertripods.com



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