Barbizon Lighting Company Captcha Code Generator


“ Show report from our team at the National Association of Broadcasters Show held April 8-11 in Las Vegas, Nevada. ”

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Electronic Theatre Controls (ETC)

desire-studio-productsLED fixtures aren’t just for lighting scenery anymore. ETC’s three Selador Desire Studio arrays – Studio HD™, Studio Tungsten™, and Studio Daylight™ – give you three different ways to produce powerful white light. While other LED luminaires produce artificial, flat light, the Studio HD uses the patented x7 Color System™, mixing five colors with two different white LEDs to create brilliant ‘HD white light’ with higher color-rendering qualities. The Studio Tungsten and Studio Daylight use some of the most efficient white LEDs available to create high volumes of color-temperature-specific light on an extreme power budget. All of the Desire Studio luminaires produce brilliant white light that naturally illuminates talent – on screen or on stage. ETC S4 LED HDThe Source Four LED Studio HD utilizes the color technology of ETC’s Selador x7 Color System™ for a more spectrally-complete white light that can be finely tuned to the talent. The Studio HD is designed to perform in a high-definition production world where people (with varying flesh tones) need to look their best. The Studio HD combines exceptional light output with an ultra-flexible, variable white light (2700K-6500K), for truer color rendition on camera. This is a white-light LED spotlight worthy of professional broadcast, film, and video production. ETC-EOS-LineFor control ETC has a wide-array of options in their Eos line of lighting desks. From the entry-level Element desk to the company's newly-released Eos TI desk withlarge, articulating multitouch displays giving programmers ample real estate for Magic Sheets. With discrete user workspaces, Ti adapts easily to the needs of programmers, designers, ALDs, and stage managers – all at the same time. dimming-sensorETC also has dimming and switching options for any size studio from single fixture-mounted dimmers to full installation racks with modules that can dim or be switched to operate as a pass-through relay.

Erector Sets

erector-sets-logoWe stopped by the Erector Sets booth in the Central Hall to get acquainted with this full service scenery and set building company. They offer design, fabrication, delivery and installation to the broadcast television, film, museum and trade show industries. They have CAD designers, woodworkers and metalworkers as well as project managers on staff to craft and deliver on any project scale. Some of the credits in their large portfolio include sets for ABC, NBC and CBS affiliates in multiple markets around the country. Their skills have brought them projects from a wide variety of customers such as The Nuclear Energy Institute, Elon University, Bulgarian International Television and SNCF. After over ten years of delivering quality workmanship on all phases and levels, their future certainly looks bright.


FloLight is introducing the CycLight, “The World’s First Single Light Green Screen Fixture.’’ According to FloLight, by placing this fixture just 12 inches from the cyc, it will give a saturated green screen perfectly every time. The CycLight uses an exclusive lensing technology that gives an even field of green light over an 8 x 8 foot area. FLO PrompterFloLight also handles a wide number of teleprompters from Prompter/People, including a light weight iPad driven prompter that is shoulder mountable to a robotic camera prompter.

Frezzi Energy Systems

Frezzi HyLightThe star of the NAB show for Frezzi is the advancement of the Frezzi HyLight with the introduction of the new Skylight. Drawing only 75 watts, the Skylight has the equivalent light output of a 650 watt tungsten or 125 watt HMI and in a compact fixture 10”x5”x2” weighing only 4.25 lbs. The compact size coupled with the AC power supply or Frezzi FLB-100 battery make this ideal for traveling.


Gekkolite K7UK based Gekkolite brought out a new portable LED light kit featuring the compact K7 daylight balanced spotlight, and the Karesslite 2006 compact softlight. The two K7 fixtures consume 18w of power each and are equipped with barndoors, diffusion filters, and tungsten color correction. It is IP65 rated and can be operated from an Anton-Bauer D-Tap or via an AC power supply. It is small enough to be mounted on either a lightstand or the top of a camera. The K7 also includes onboard dimming. The Karesslite 2006, also included in the kit, is a compact soflight to compliment the 2 K7 spots. It is 7.5” long x 4” wide and draws 45w. It is available in tungsten, daylight, bi-color, and the FX version, which is swithcgable from blue to green for chromakey operation. The 2006 has an onboard dimmer, and a lightweight softbox is also available. The kit will be available in June 2013.


Glidecam StuntbarGlidecam Industries Inc. offers a wide variety of camera stabilizers (camera stabilization systems) for use with motion picture cameras, video cameras, and video camcorders. These hand-held and body-mounted camera stabilizers create super smooth shots, and allow the operator to walk, run, go up and down stairs, shoot from moving vehicles, and travel over uneven terrain without any camera instability or shake. They also provide camera cranes, pan-tilt heads and LCD monitors. In addition to the person camera stabilizer systems, they couple of the interesting items on display including the Stunt Bar and the Vista Track system. As you may imagine, the Stunt Bar is designed with action sports in mind. It can be quickly positioned to varied lengths and is great for shooting in Low mode, High mode and Shoulder mode positions. The Glidecam VistaTrack systems are a combined, miniature Linear Dual Track and Dolly System. Made to professional standards with precision components. The Glidecam VistaTracks are the premier Camera Sliders of the industry at their price point. They allow you to create super-smooth camera movements from your tripod that are accurate and vibration free, greatly increasing the value of your productions.


Hoodman Custom Finder for 3.2" imagerHoodman’s new Custom Finder Kit for 3.2 inch viewfinders includes the new H32 HoodLoupe with German glass optics, a ±3 diopter adjustment and a ¼ 20 mounting solution. The Kit’s Customer Finder Base Plate provides a way to mount the HoodLoupe for DSLR video capture and live view. Base plates are built in the USA exclusively for Hoodman by Custom Brackets. Plates are milled black anodized aluminum designed to fit all DSLR camera bodies. Additional features of the base plate are antitwist bars, two ¼ 20 tripod mount holes, a hand strap slot and an improved camera sling strap attachment point. The Custom Finder Kit retails at $199.99 and began shipping March 15, 2013. For Hoodman customers already owning a HoodLoupe 3.0 or 3.2 and wishing for a great way to mount the HoodLoupe to their DSLR camera, the Custom Finder Base Plate can be purchased separately for $99.99.


The new IFB576 and IFGD1024 have been nicknamed “feather lights” as they are 3 pounds lighter than previous units. Perfect for field work, it comes with an integrated pro battery plate for Anton Bauer or a V-mount. It is easy to use with a digital read out on the back that can be controlled with knobs or touch screen to dial in illumination and color temperature. These lights come in either bi-color or daylight. IKAN also came out with the iLED312-V2. The version two basically has new barn doors as well as a digital read out on the back. The digital readout gives you intensity, color temperature and battery life. The light itself still uses the Sony L series battery with suggested 2 battery use. However it can run on one battery if needed. A very versatile light, it works as an on board camera light, or it can be used on a stand as a back or kick light. Having come out with the iPad MovieSlate, IKAN now has the PT-ELITE teleprompter that PT-ELITEworks with the iPad. An easy solution for a portable teleprompter, it is lightweight and adjustable. It comes with 15mm rods, high quality 30/70 prompter glass, base plate and iPad mount. It also has a universal mount for iPad mini’s and Android tablets. It is designed for smaller DSLR camera’s with a screen size of 8.9”.


TK5600he Alpha 200 Is K5600’s new lightweight Fresnel. An interesting feature on this unit is that it accepts both HMI and Quartz styles of lamps. This adds flexibility of color temperature just by swapping out the lamp. 3200 for the quartz and 5600 for the HMI. A drop in Fresnel lens gives a foucusing range of 10-60 degrees while the clear pyrex lens provides 90 degrees of output.

Kino Flo

Kino Celeb 200Kino Flo added the Celeb 400 to double the size of the Celeb 200 released last year. The Celeb line is a soft, cool LED ideally suited for today’s growing demands for energy efficient, portable, yet color-correct LED lighting. As with all Kino Flos, the Celeb’s soft, lustrous color has been specially formulated to match the spectral distribution curves of HD film and video cameras. With a high color rendering index (CRI 95), the Celeb operates coolly and flicker-free, even while dimming, and maintains its True Match® color temperature without any color shift. The all-in-one metal alloy fixture includes onboard and DMX dimming and runs universally at 100-240VAC or 24VDC. The push-button Kelvin presets can be fine-tuned to custom settings from 2700K to 5500K with a turn of a dial. Light levels do not change when selecting Kelvin settings. The Celeb’s slim profile is lightweight and mounts onto a baby stand or can be hung from a grid with a baby pipe clamp.

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